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Noah and the Rest
Curator: Noa Wisberg.
2024
Revisiting the biblical figure of Noah, this series approaches one of humanity’s foundational narratives through a contemporary lens. Monumental paintings and intimate oil miniatures move between expressive gesture and meticulous detail, presenting Noah not as an unquestioned hero but as a profoundly ambiguous figure — both savior and flawed human. The project has been presented in Tel Aviv at Werthheimer Gallery.
All Flesh (Capricorns)
2024, oil on raw canvas, 140×50 cm
2024, oil on raw canvas, 140×50 cm
01 / 14
Holy Vineyard
2024, mixed media on canvas, 130×195 cm
2024, mixed media on canvas, 130×195 cm
02 / 14
Noah – the Beginning
2023, mixed media on raw canvas, 175×195 cm
2023, mixed media on raw canvas, 175×195 cm
03 / 14
Untitled
04 / 14
All Flesh (Homosapiens)
2024, oil and natural pigments on raw canvas, 195×85 cm
2024, oil and natural pigments on raw canvas, 195×85 cm
05 / 14
Believing Son (Japheth)
2023, oil and industrial paint on raw canvas, 160×100 cm
2023, oil and industrial paint on raw canvas, 160×100 cm
06 / 14
Believing Son (Shem)
2023, oil and industrial paint on raw canvas, 160×100 cm
2023, oil and industrial paint on raw canvas, 160×100 cm
07 / 14
Naamah
Double Portrait, diptych, 2024, mixed media on canvas, 90×70 cm each
Double Portrait, diptych, 2024, mixed media on canvas, 90×70 cm each
08 / 14
Ararat
2024, Japanese ink, soft pastel, industrial paint and woodpiece on paper, 70×100 cm
2024, Japanese ink, soft pastel, industrial paint and woodpiece on paper, 70×100 cm
09 / 14
God is Less Involved (detail)
2024, quadriptych, oil, natural pigment and industrial paint on canvas
2024, quadriptych, oil, natural pigment and industrial paint on canvas
10 / 14
God is Less Involved (detail)
2024, quadriptych, oil, natural pigment and industrial paint on canvas
2024, quadriptych, oil, natural pigment and industrial paint on canvas
11 / 14
Ararat
2024, oil, natural pigments, industrial paint and collage on raw canvas, 130×200 cm
2024, oil, natural pigments, industrial paint and collage on raw canvas, 130×200 cm
12 / 14
Each Kind of Living Flesh
2024, Japanese ink, soft pastel and woodpiece on paper
2024, Japanese ink, soft pastel and woodpiece on paper
13 / 14
Exhibition view
14 / 14